Download PDFRevised 7 March 2022
Accepted 14 October 2022
Available Online 21 November 2022
- DOI
- https://doi.org/10.55060/s.atssh.221107.011
- Keywords
- Landscape painting
“Integration of Man With Mountains and Rivers”
Aesthetic observation
Aesthetic mind - Abstract
The proposition of “Integration of Man with Mountains and Rivers” put forward by Guo Xi in Linquan Gaozhi (林泉高致) comes down in one continuous line with Zhang Zao's “Learn from Nature, Feel from Heart”. The proposition of “Integration of Man with Mountains and Rivers” has an extremely important position in the history of Chinese landscape painting. Guo Xi believes that, when the painter makes an aesthetic observation of the natural landscape from all directions and multiple perspectives, the overall appearance will be more authentic, so that the viewer can perceive the life spirit and cultural connotation of the natural landscape, and the scenery and the emotion are connected and blended, presenting different artistic conceptions. The proposition of “Integration of Man with Mountains and Rivers” has had a profound impact on the aesthetic image and painting creation of Chinese painting after the Song and Yuan Dynasties and even in contemporary times.
- Copyright
- © 2022 The Authors. Published by Athena International Publishing B.V.
- Open Access
- This is an open access article distributed under the CC BY-NC 4.0 license (https://creativecommons.org/licenses/by-nc/4.0/).
Cite This Article
TY - CONF AU - Du Zhang PY - 2022 DA - 2022/11/21 TI - Chinese Landscape Painting From the Perspective of “Integration of Man With Mountains and Rivers” BT - Proceedings of the 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022) PB - Athena Publishing SP - 59 EP - 64 SN - 2949-8937 UR - https://doi.org/10.55060/s.atssh.221107.011 DO - https://doi.org/10.55060/s.atssh.221107.011 ID - Zhang2022 ER -
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