Download PDFRevised 21 April 2022
Accepted 14 October 2022
Available Online 21 November 2022
- DOI
- https://doi.org/10.55060/s.atssh.221107.033
- Keywords
- Cai Diao opera “Oil-Tea Camellia County Magistrate”
Peking opera “Oil-Tea Camellia Censor”
Innovative practice - Abstract
Choreographing and creating the drama stage art around the real historical achievements of Yaomin Zhou Wei, the Cai Diao opera “Oil-Tea Camellia County Magistrate” and the Peking opera “Oil-Tea Camellia Censor” demonstrated the artistic charm of drama creation and innovation through different types of dramas. Both have the common theme of national unity and serving the country, and have their own advantages in narrative legend, character design and artistic features. According to the needs of the times, society and the people, the drama art has been used to practice the new mission, new concept and new method of creation and innovation, showing the cultural charm of traditional drama and local drama, which achieves the purpose of being brave in innovation, strengthening cultural self-confidence, and daring to produce high-quality products, and meets the spiritual and cultural needs of the people.
- Copyright
- © 2022 The Authors. Published by Athena International Publishing B.V.
- Open Access
- This is an open access article distributed under the CC BY-NC 4.0 license (https://creativecommons.org/licenses/by-nc/4.0/).
Cite This Article
TY - CONF AU - Qianwei Jin PY - 2022 DA - 2022/11/21 TI - Discussion on the Innovative Practice of the Cai Diao Opera “Oil-Tea Camellia County Magistrate” and the Peking Opera “Oil-Tea Camellia Censor” BT - Proceedings of the 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022) PB - Athena Publishing SP - 209 EP - 215 SN - 2949-8937 UR - https://doi.org/10.55060/s.atssh.221107.033 DO - https://doi.org/10.55060/s.atssh.221107.033 ID - Jin2022 ER -
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